ursulatheseabitchh:

The last three Disney films that starred POC were the Emperor’s New Groove in 2000, Brother Bear in 2003 and Princess and the Frog in 2009.

What did they have in common?

image

image

image

Exactly.

Tennis Court (Flume Remix)
by Lorde from Tennis Court (Flume Remix) - Single
23,342 plays

impeccabletasteinmusic:

Lorde | Tennis Court (Flume Remix)


jinkies i lost my glasses!
velma in every fucking episode of scooby doo like damn bitch get contacts (via scottthepilgrim)

tomfuckinmison:

this is a religious experience

politicalsexkitten:

So these tweets are actually real.

I really like how she tries to defend herself by stating how much she loooveees Japanese culture

"You guys I did this with Japanese people it’s cool"

"I go to Japan like so much ok I know the culture"

"I know so many Japanese people and even the director was Japanese!"

God these bullshit statements alone just insinuates that hey Japanese people are working with me so I can’t be doing anything wrong or racist, otherwise they’d tell me! 

Yeah because even if you’re an artist at the end of her career and desperately trying to save it, you’re still a well-known name and PoC don’t have many opportunities in this industry and will take any job that’s offered to them. This includes everyone who worked on this video. Why?

Because People of Color are easily replaced. They’re expendable. 

Oh, you don’t want to work with her cause her entire music video is racist? Whatever. We’ll just find another director/choreographer/dancer. 

That’s it. That’s literally it. That’s how it works. So we suck it up and work with these people cause the industry doesn’t value us enough and not working only harms us, not the artist.

I mean, spewing random Japanese words that have nothing to do with your song is just short of saying Ching Chong Long Ting Tong, but you know. She’s just admiring the culture. 

Sure does remind me of this skit:

This is extremely racist and insulting. I’m an Asian American. I studied Japanese for two years. I’ve yet to begin to scratch the surface of Japanese culture and etiquette and I’m not even that confident or comfortable speaking or writing it because I don’t feel as if I know enough about it to say I can speak Japanese. 

Singing random words in a language you don’t know is racist when you use it for the sake of a song that just appropriates a part of their culture so much. 

Then you have your Japanese backup dancers. They all look the same, they’re silent, and “kawaii”. 

Of course, to you dear Avril, this sure doesn’t perpetuate the stereotype of cute, obedient, and submissive Asian women girls right? They’re just too damn cute and fit your set!

God. You’re turning 30. I don’t care if you want to act childish or dress a certain way. But grow the fuck up and stop making arguments that defend your racist actions and try to justify them by name-dropping everything Japanese.

You’re not Japanese. You don’t know Japanese. You don’t know Japanese culture. Your song doesn’t “honor” or “flatter” Japanese people or Japanese culture. It perpetuates the stereotype the West already holds and you try to pass it off as being cute and creative and appreciative and dedicate it to your Japanese fans.

No. Fuck you. 

THEME